The other option is to not reveal until the end and hope that your reader doesn't discover it until it is right upon them. Throw in a red herring or two and the reader gets a bumpy journey.
What are writers meant to do when the villain decides to drop a few clues of his own? We're not talking mustache twirling baddie tying the heroine up to a railway track - but still, he's showing his 'other' side before I wanted him to.
I think I better watch out for him......
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